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The trilogy of westerns made by Sergio Leone during the early to mid-60’s are among the best of the so-called spaghetti westerns produced. Leone’s fresh cinematic vision and his fresh expend of the camera (a bit of trivia Leone never storyboarded his films. Unlike Hitchcock and other major directors he had it all in his head) compose these films original and mighty. Leone was the first foreign film director to invent self reflective movies; i.e., his westerns were really about the classic western films he grew up loving with a post-ironic twist.

You can read about the plots elsewhere as I want to concentrate on the major drawback (and the benefits) of these DVDs; Both Fistful and more are presented in their widescreen aspect radio. Since Leone’s films benefited from the widescreen format and vistas, seeing them in a pan and scan version doesn’t do the films justice; it’s like listening to a gargantuan portion of music through a portable radio with unpleasant reception. You derive the gist of the music and feel that’s mighty but it lacks the tubby impact and range.

The films prove a high amount of analog artifacts. Portions of More also watch quite dilapidated. Both films deserve and require a restoration similar to that performed for The Wonderful, The Awful and The Horrible (although the version included here is not the restored version) . Both discs also include both pan and scan and widescreen versions of the films. There’s also theatrical trailers and booklets with background on the making of both films. The soundtrack sounds flat and thin–given the design the modern soundtracks were mixed and released that’s not a surprise. Unexcited, if the unusual elements calm exist it would be worthwhile to revisit these films, restore and then remaster them with a commentary track (similar to that for Once Upon A Time in The West) . They don’t observe contaminated but it’s certain that the negative is either in awful condition or the prints obsolete were not pristine.

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The Superior, The Dreadful and The Monstrous looks and sounds better than the other two films in the series. It also benefited from a considerable larger budget and shooting time which is to the serve of the film. The acting is stronger (Eastwood returns as does Van Cleef joined by the scene chewing Eli Wallach in a great turn as “the repugnant”) . THis version features a number of scenes slash for both the International and US version. While the scenes aren’t restored (and my copy didn’t even had the advertised “Italian” dialogue track but was mute), they provide an moving background as to the motivations of the characters.

TGTBATU looks detached has a fine amount of analog artifacts but not quite as awful as the first two. The sound is slightly better although tranquil thin (again, it was recorded and shown in mono. Remember, this was the early 60’s) . Leone’s direction and visual flair are more in evidence on the third film of the series. Here’s hoping that MGM will derive around to re-releasing the restored version that showed earlier in the year. Reportedly, Eastwood and Wallach re-recorded their dialogue (which might elaborate why the tracks are silent–it’s certain that the dialogue tracks must be missing or incomplete) and they had a sound alike for the tedious Van Cleef.

While all three films are famous western classics, all three are marred by a variety of analog flaws. Their calm worth having but I’m hoping with the advent of reissues like Once Upon a Time in The West, that all three will come by a face-lift and second chance on DVD. It also wouldn’t damage to provide some spirited background on the making of all three films. Eastwood and Wallach are tranquil around as are various crew members/actors from the new productions. Let’s hope it gets done!

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Oh, and by the design, the Man with No Name did have a name in at least two of the three films here. That Man With No Name aspect was a marketing ploy dreamed up by the new studio (United Artists) to sell the films later on down the line.

My crude rating does not apply to the movies themselves. In a period when most Hollywood westerns were becoming predictable and formulaic, Italian director Sergio Leone broke the mold! This trilogy, along with his last western, “Once Upon A Time In The West” (not included in this dwelling), are the four greatest westerns ever made, and yet were not produced by Hollywood. The greatest of the Hollywood westerns, such as “The Resplendent Seven”, “The Stout Country”, “The Alamo”, “The Three Godfathers”; and south-of-the-border westerns like “The Adore of the Sierra Madre” and “Guns For San Sabastian” (to name but a few of the greats) all drop in gradual the Leone westerns. If you are a fan of westerns and have not seen the movies in this trilogy, scrutinize them as soon as possible, but be prepared for something different than you are frail to. They are not slick, but instead characterize an legal grittiness of the customary west. They are not gimmicky like the Hollywood westerns of more modern vintage (say from about the mid 1970’s to note) . The greatest western ever made has to be “The Respectable, The Unpleasant And The Evil”. This is the mother of all westerns! The acting in all three movies is pleasant, but the performance of Eli Wallach as Tuco in “The Obliging…” is astounding, and ranks as one of the greatest performances by any actor on film. Clint Eastwood also gives the greatest performance of his career in “The Friendly…”. It is piquant that Clint tried to recapture the magic of the Leone films in his contain productions such as “Pale Rider”, Hang ‘Em Hign”, etc., but never even came discontinuance.

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Now on to the problems with these discs. The transfers are not particularly hign quality, and appear not to be remastered. The first two trilogy movies are merely letterboxed rather than enhanced widescreen. But the biggest bummer of all is the sound quality. The sound quality on “The Qualified…” is about as splendid as any of the versions I have heard. The sound quality of “Fistful…” is rather awful. But it is the atrocious sound of “for A Few Dollars More” that is really a crime. The dialog is too far in the background, and the overall sound on this disc is so harsh that if you turn the volume up to a level where you can hear the dialog clearly, the hard, treble-heavy, distorted sound will bore a hole in your head! I’m not kidding. I cherish these movies so noteworthy that I will have to catch an alternative version of “For a Few Dollars More” to replace the one that came with this trilogy. If I had it to do over again, I would remove the best individual versions I could collect, rather than extinguish money of this station. It’s too unpleasant that MGM didn’t achieve impartial a diminutive bit more TLC into these masterpieces!
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