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Like any helpful sports movie, the subtitled “Rudo y Cursi” is not at all about sports. The competition exists on a worthy more fundamental level: One brother is pitted against the other in a battle over who the better person is. Even more fundamental is the battle each brother wages with himself between his talent and his passion, neither of which seem to go hand in hand. The strength of this film is that it relies on these simple, understandable ideas to score its point across. It also relies on clearly defined characters that behave realistically. The brothers, for example, seem not like archetypal clones but rather like exact human beings, shifting abet and forth between loving and hating each other. While none of this makes for groundbreaking cinema, it does allow for an savory film that’s sometimes fun, sometimes dramatic, and always charming.

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The film, written and directed by Carlos Cuarón (Alfonso’s brother), is about Tato (Gael García Bernal) and Beto (Diego Luna), brothers from a rural Mexican village where life revolves around a banana plantation. As they play soccer, they’re spotted by a stranded talent scout named Batuta (Guillermo Francella), who doubles as the film’s narrator. As calm as can be, he offers them a chance to try out for a professional team. From this, we net a worthy better belief of who the brothers are: Tato clearly has talent on the field, but his dependable dream is to be a renowned singer; Beto’s dream is to be a goalie, although he seems better edifying for a career in gambling. Both seem distinct to back their mother, who’s married to a novel husband neither one of them have any patience for.

It’s the enthusiastic and ignorant Tato who Batuta chooses first, and within no time, he’s taken to Mexico City and given the nickname “Cursi” (which translates as “shameful”) . The quick-tempered Beto eventually joins his brother, leaving slack a wife, a few children, and a exact job. He earns the nickname “Rudo” (which translates as “low”) .

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As they both go through the ups and downs of playing on a professional soccer team–and this definitely includes the many hazing rituals in the locker room showers–they prefer in other activities. Tato begins dating a splendid TV personality and produces a music video for the Spanish version of “I Want You to Esteem Me.” Beto gets sidetracked by fame and fortune, resulting in dangerous games of high stakes poker and a line or two of cocaine. It also results in a powerful amount of debt … the kind that comes with death threats from shady people. This isn’t genuine, especially since his wife has made the plod to Mexico City hoping to get it expansive pitching health supplements.

All this inevitably leads to a climactic soccer match, made more attractive by the fact that Tato and Beto fetch themselves on opposite teams. Were this all “Rudo y Cursi” were concerned with, it would be a very mundane film. As it is, it’s an animated memoir of two conflicting personalities, both so convincing that they effectively overshadow the mature position. One of my celebrated scenes takes position on the beach, where the brothers are spending time with their visiting mother. As they sit in the sand, each son tries to one-up the other by promising to produce a substantial house correct along the shore. It’s a perfect example of evoking a rivalry, and I say “evoking” because one gets the sense that it’s been building within them ever since they were children.

This very intentionally functions as a counterpart to Batuta’s narration, which seems made up almost entirely of proverbs and facts. He begins the film, for instance, by giving us a brief history of soccer: Long, long ago, the Musty Aztecs invented a game in which they kicked around the severed head of their enemies. We know honest then and there that “Rudo y Cursi” will be a memoir of competition and sacrifice with unbiased a itsy-bitsy bit of game-playing thrown in for edifying measure. To extend the metaphor, the epic that we’re about to eye will be objective like a soccer match, with opposing forces working towards their hold situation of goals.

By the kill of the film, there’s the implication that every gets exactly what they wanted out of life, albeit in unconventional ways. To justify would give too remarkable away, but rest assured that the epic resolves itself appropriately, if not unexpectedly. What “Rudo y Cursi” lacks in originality is more than made up for in depth of character and simplicity of theme; we view this film aware yet forgiving of its conventions, and that’s because we’re being told a relatable tale with protagonists who seem proper. This would have been very difficult to carry out were it not for the natural onscreen chemistry between Bernal and Luna. They unprejudiced seem like a natural fit together. More to the point, they seemed like valid brothers–perpetually caught in that gray zone between care for and despise, driven by the need to upstage each other, united in their desire to please their mother. This, I feel, is so mighty more compelling than a simple game of soccer.

I saw “Rudo y Cursi” this year at the Sarasota Film Festival and was pleasantly surprised by how noteworthy I liked the movie. The main reason I went to examine “Rudo y Cursi” was because it starred Gael Garcia Bernal, whose films I generally delight in. I felt a microscopic unsure about the film going into it, because I didn’t know powerful going into the film and felt this would be a typical sports movie, but I really enjoyed seeing this. The film is truly a sage of two brothers more than anything, and, though it does revolve around their passion for sports, it didn’t feel like your regular sports film. It does have some of your stereotypical sports film moments, but in the slay it was a very fresh movie experience. Anyone who enjoys Gael Garcia Bernal films, will definitely fancy this movie. He is equally serious and funny in the film and serves as a mammoth counterpart to Diego Luna who plays his brother. I feel that this film can be enjoyed by a wide array of viewers and would suggest this film to anyone, as it is an all around tall movie.
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