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I judge alot of people viewing “Perambulate the Wild Surf”,from 1964 hold they are about to peer your typical 1960’s beach party film. However this particular entry in the accepted cycle of surf and beach movies is quite different from the rest. Most notably it has a totally different group of young or “youngish”, cast members to the Beach party films and there is no Frankie Avalon or Annette Funicello in witness. Secondly while detached a yarn of adventure and romance space against surfing action “Stride the Wild Surf”, is for the most share distinguished more serious in tone and in its arrive to the material and is removed from the usual California settings of the other stories and is instead filmed on status in Hawaii which adds greatly to the visual appeal of the film. Incorporating some truly spectacular surfing footage which is some of the best of its kind this film however has in accepted with other beach stories the practice of using the now comic assist projection photography supposedly showing the actors “riding”, the waves before cutting to proper footage of surfers in action. Its all superb fun however and like most of the anecdote shouldn’t be taken too seriously but honest enjoyed for its many provocative elements.

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“Bound the Wild Surf”, tells the yarn of three Californian buddies Jod Wallis (Fabian), Trek Colton (Peter Brown), and Steamer Lane (Tab Hunter) who (despite the very evident age differences!), are college mates seeking the ultimate adventure by travelling to Hawaii over the Original Year’s fracture to rush the waves and tackle the base Grand Wiamea which is the biggest plot of waves off Hawaii’s North Shore. Predictably each guy has his gain situation of issues to sort out before tackling the giant 30ft wave. Jody was a neglected child who has no trust in people despite falling for Brie Matthews (Shelley Fabares) who works hard to accept him to reengage in his studies rather than surfing his life away, Coast suffers from a too practical nature caused by his affluent background that his relationship with carefree Augie Poole (Barbara Eden), helps to dispel, while Steamer has to contend with the disapproving mother Mrs. Kilua (Catherine McLeod), of his like interest Lily (Susan Hart) who thinks all surfers are bums and not to be trusted like her possess ex husband. During the course of the groups holiday their romantic complications are eventually sorted and each guy grows stronger and more confident in themselves as a result. Jody learns to trust people again and makes plans for the future succor home, Prance learns to lighten up and not feel he has to be perfect all the time, while Steamer wins Mrs. Kilua’s thought in his sincerity and settles down to work on her property in Hawaii. All of this occurs of course unprejudiced in time for the climatic arrival of the Wiamea which pits the guys against their rivals in the challenge to perceive who can master the monster waves. As it turns out all the guys slowly withdraw from the competition except Jody and his chief rival Eskimo (James Mitchum) . After considerable grief and some unsafe rides on the giant waves Jody is the sole surfer left and in the climax of the record he sucessfully rides the giant wave just into the beach to the aproval of all the crowd watching the spectacle from the beach.

“Hump the Wild Surf”, takes an inspiring different slant on the usual surfing sage and has generally better production values than most of the beach party films from the same period. The sense of competition between the guys and the need to explain themselves is really the central theme here and while it has its radiant quota of babes, bikini’s and surfer music it is no where arrive as light hearted as the Frankie and Annette films. The station photography in Hawaii is truly breathtaking which makes this film an ideal viewing experience for armchair travellers but it is the graceful surfing camera work that really captures your attention here. You dont even need to be a fan of the sport to luxuriate in this as the photography is improbable and at the climax of the myth surprisingly provocative. Of course the film also has the silly marching shots of the actors supposedly riding the waves that are only expose in benefit projection while they balance on obviously stationary surf boards but those scenes are half the fun of this film. The cast of “Stagger the Wild Surf”, is an tantalizing one and really is a snap shot of the young performers who were common in this early 1960’s period. Fabian and Tab Hunter of course were the teen heart throbs of the time while Peter Brown (with blonde hair here for some unusual reason) would become a current 60’s actor on the western series “Laredo”. Barbara Eden ( also with a change of hair colour), went from this movie into her most famed role on TV in “I Dream of Jeannie”, while Shelley Fabares had unprejudiced completed her on going role on “The Donna Reed Point To”, released some hit singles such as “Johnny Angel” and was a common young performer around this time. Performances by the whole cast are standard for this type of vehicle and the males are featured in all their bronzed muscled glory while the females parade in a never ending series of colourful bikini’s as they wait on the beach for their men. The action is all very innocent with no sex featured except for a chaste kiss or two and certainly is a reflection of a time long gone which for me at least succeeds in increasing this film’s appeal. The myth flows along at a gracious urge however and director Don Taylor never allows the character development to fetch too worthy in the plan of the films chief attraction which of course is the extraordinary surfing footage.

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For me “Fling the Wild Surf”, is a nostalgic streak relieve to the innocence of the early 1960’s. While it is a time I can’t personally win myself it has many lively elements to it which is why I delight in both the Frankie/Annette type of beach movies as well as this bigger budgeted more serious trouble. The hit song that is old for the movie’s title by Jan and Dean is also a winner and the film has all the famous elements of a surf movie with goodlooking young people, plenty of spectacular surfing action and of course the standard romance. In short it’s the perfect draw to consume a couple of hours where no deep meanings are display and the delights are all of the visual kind. Bask In!

In 1964 three friends went to the expose to study a surf movie for the first time. We returned to peep this movie over and over again, (7 times to be precise) . Being young and impressionable we wanted to be like Fabian, Tab Hunter, and Peter Brown riding Expansive Waves in Hawaii and falling in “Treasure” with girls like Susan Hart, Shelley Fabares and Barbara Eden. This movie made our summer of ‘64 a fantasy summer, we went to the beach, tried to surf, listened to Jan & Dean, The Beach Boys and dreamt of the girls in “Coast the Wild Surf”. By todays standards this movie seems “Hokie”, but for three fourteen year ragged boy’s in 1964 it was a movie and Summer to remember.
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